December 3-6, 2021.
What is painterly glass? A two dimensional glass composition or panel using glass materials to achieve a painterly or painting-like quality. But…WE WILL NOT USE PAINT. We will use Bullseye glass, powder, frit and stringer to simulate paint and highlight the unique qualities that working with glass brings to the process. Gritty, slick, or robust relief, kilnforming materials and processes give us a vast range of painterly styles from creamy impasto to ephemeral watercolor washes. Students will learn painterly effects by utilizing unusual wet and dry powder processes, multiple ﬁrings and careful temperature control.
Students will explore technique that supports strong composition, rich surfaces, and depth. Color, composition, and the effective use of opacity and transparency will be considered. Students will develop ideas through preliminary sketches, paper cut outs and/or test pieces leading to the completion of two larger glass projects. Topics to be covered may include:
- Color mixing
- Considering both sides of the glass
- Layering strategies
- Transmission of light
- 2D to 3D by slumping, draping or function.
This class expands on processes introduced in “The Upper Crust” course. While it’s a natural follow-on to its predecessor, it’s power packed on its own and has no prerequisite. Prior glass experience is beneﬁcial but not required. This highly creative and hands-on course is of interest to kiln glass workers as well as artists of other media.
ABOUT THE ARTIST
Kari Minnick owns and operates Kari Minnick Art Glass Studio, where she produces ar-chitectural commissions, ﬁne art and introduces artists from other media to kiln-glass. Her glasswork has won several prestigious awards and is held internationally in private, corporate and embassy collections. Minnick began her career as a painter; earning a degree in studio art from the University of California at Davis. An exhibiting artist and dynamic educator, Kari shows her work and teaches her signature classes internationally.
"My art and life are a study of contrasts: order and chaos, thick and thin, questioning and acceptance. Using rich surfaces and layers of glass, I contrast ﬂeshy realism with abstraction. Immediacy and restraint, delicacy and directness; I bal-ance bold composition and nuanced line. A maker of pictures and teller of stories, I’m soothed by familiar ﬂuency yet stirred by ecstatic newness. Fleeting gesture on solid ground, murky meaning and bruising impact, chaos and eerie calm. Disparate elements crescendo and resolve into beauty."
Visiting from out of town for this workshop?